Lolly Gesserit
"Reinstall Windows"
[BH014]
26 min.
Ed. of 75
From the mouth of Lolly:
“…Shaping Lolly as a character. I set out to make music and design clothing for an actor to perform without me. The sound took shape quickly, sort of trash art mood music with industrial and dub overtones. … Total fiction, right?”
Synth vapor and rhythms chasing back and forth. Tape collage taking center stage. This is a soundtrack for a fucked up alternate universe. Which is a good thing, right? Full color, double sided j card with pro imprinting.
Orbless
"Bergamot Sequence"
[BH012]
32 min.
Ed. of 100
With ‘Bergamot Sequence’, Orbless presents a suite of three modular arrangments. With each ‘sequence’ presenting a distinct mood, this new release further showcases McKelvey’s unique exploration and compositional techniques lending a distinct voice to the world of contemporary synthesizer music.
Edition of 100. C-32 chrome. Full color, double sided j card with pro imprinting.
Orbless
"Ruin Machine" Cassette
[BH010] 22 min.
Ed. of 100
Ruin Machine is the third release from Orbless, the solo sonic explorations of Collin McKelvey. Created entirely with modular synthesizers and analog delay and rhythm machine, Ruin Machine takes the listener on a slow journey through deep space. Two side-long tracks usher the listener into a contemplative space where their imagination can bring up a multitude of scenarios. Ruin Machine was created with the idea of the man made objects slowly decaying in orbit around the solar system.
"Ruin Machine" Cassette
[BH010] 22 min.
Ed. of 100
Ruin Machine is the third release from Orbless, the solo sonic explorations of Collin McKelvey. Created entirely with modular synthesizers and analog delay and rhythm machine, Ruin Machine takes the listener on a slow journey through deep space. Two side-long tracks usher the listener into a contemplative space where their imagination can bring up a multitude of scenarios. Ruin Machine was created with the idea of the man made objects slowly decaying in orbit around the solar system.
Phantom Pains
"Obelisk" Cassette
[Monorail Tresspassing 80] 32 min.
Ed. Unknown
Eric Haney of SF has been churning out a steady string of tapes this past year on his Beach House label. Two sides of dark drift, overtaken and swarmed by distant-sounding noise and even more distant chords. This is dark ambient, expanded, without the cringeworthy cultural baggage. -Monorail Trespassing
"Obelisk" Cassette
[Monorail Tresspassing 80] 32 min.
Ed. Unknown
Eric Haney of SF has been churning out a steady string of tapes this past year on his Beach House label. Two sides of dark drift, overtaken and swarmed by distant-sounding noise and even more distant chords. This is dark ambient, expanded, without the cringeworthy cultural baggage. -Monorail Trespassing

Phantom Pains
"Shudder" Cassette
[GNW/Accidie06] 27min.
Ed. of 100
Phantom Pains (San Francisco’s Eric Haney) has released only two cassettes before this one: the first a split with Slaughtering Dolphins, the second a solo c18, both on Beach House Records. With absolutely no fanfare, Phantom Pains has sprung out of nowhere, fully-formed; all the awkward missteps and growing pains of an emerging artist were skipped over in order to produce one of the most intelligent and astounding Harsh Noise cassettes in recent memory. Shudder will remind you why you like Noise Music in the first place.
-Accidie Records
"1" Cassette
[BH009] 29 min.
Ed. of 100
[BH009] 29 min.
Ed. of 100
Debut release from the Oakland outsider synth trio GAZE. Comprised of Ned Meiners (Eat Skull, The Hospitals) Corey Hucks (California Priest, Timeblazers) and Collin McKelvey (Orbless, Liminal Planes), GAZE lays down weirdo synth lines that come and go aimlessly, drum machine beats that are not quite right, and vocal mess that is hardly distinguishable. Somehow it all comes together despite the seeming disparities. "Synth abuse" and "clown electronics" are several phrases overheard after live performances. The combination of three totally different approaches to creation have spawned some very interesting results. With another release already out on Hard Scrabble Amateurs, and one forthcoming on Zum, there is going to be chances to hear all of the different influences directing these warped minds.

Slaughtering Dolphins
"Babalon" Cassette
[BH007] 18min.
Ed. of 49
2009 was a very productive year for Collin Mckelvey and his solo synth/noise project, Slaughtering Dolphins, with several releases coming out on various labels. Planets align with Slaughtering Dolphins newest transmission, "Babalon", which features 4 tracks of hazy, astro-zodiac jams for your cosmic drifting pleasure.

Liminal Planes
"Mineral Rights" CD
[BH006] 47min.
Ed. of 100
Liminal Planes is back with their second release and first full length album. "Mineral Rights" features four improvised tracks sprawled over 45 minutes. Finding inspiration in their own name, Liminal Planes exists in a haunted space that is neither here nor there. Collin Mckelvey and Eric Haney deftly weave together tense atmospheres and dense layers of sound, occasionally giving way to calmer passages. Simultaneous creation and decimation of sound and space.

Night Burger/Slaughtering Dolphins
Split Cassette
[BH005] 24min.
Ed. of 100
We are proud to present this split tape between Night Burger and Slaughtering Dolphins. This is the first release for Noah Anthony, of Social Junk and Form a Log, under his fairly new solo moniker. Side A takes you on a late night journey through a foggy yet eerily familiar near future. On the B side, Slaughtering Dolphins abandons the usual synth and creates a harsh alien anthem rooted in visions of Turkish Discos.

Slaughtering Dolphins
"Lift Me Out" Cassette
[BH004] 24 min.
Ed. of 50
Sold Out
Standing above the horizon. "Lift Me Out" begins hopeful with no sense of dirt. Synths tracing ephemera in vapor trails. Pulsing and broken electronics pull you back down to something cold, ending in the sounds of a trashed violin.
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